Digital reconstruction & high-end 3D visualisation
timepieces and cultural artefacts. Digital reconstruction of cultural artefacts involves the full digitization of heritage and the creation of collections based on archival sources and professional art historical research. We restore what has been lost by returning to the craftsmanship of past masters — examining their techniques, aesthetic choices, and materials, while carefully studying the technological context and style of the era. Our goal is to ensure the most accurate and respectful revival of cultural heritage in digital form.
is 3D atelier for jewellery,
heredis atelier
W
ho we are?
M
ethod
what we do
Measured PBR sets emulate metals, enamels, stones and patinas; calibrated HDRI lighting preserves true colour, brilliance and refraction. A colour-managed pipeline ensures consistent results across exhibition media.
PHOTOREAL TEXTURING & LIGHTING
Material Forensics
High-resolution microscopy, spectroscopy and X-ray reveal alloys, enamel stratigraphy, gemstone cuts and toolmarks. This evidence anchors dimensions, tolerances and surface behaviour so the digital model remains faithful to the original craft.
Deliverables are prepared for AR/VR displays, study kiosks and catalogues (glTF/USDZ/Alembic). Each object ships with metadata, provenance notes and a preservation package; optional on-chain attestations secure a durable public record.
DEPLOYMENT & PRESERVATION
STRUCTURED 3D MODELLING
ARCHIVAL & PROVENANCE RESEARCH
SCHOLARLY VERIFICATION
Using the research dossier as a blueprint, base geometry is constructed from measured drawings and photogrammetry, then refined in CAD and sculpt. Parametric rigs reproduce hinges, springs and cams exactly as they functioned in the historical piece.
We mine museum archives, private collections and specialist libraries for photographs, drawings, invoices and condition reports. Sources are cross-checked and cited to build a critical dossier and a transparent provenance chain.
A multidisciplinary review—art historians, conservators, technical specialists—tests each iteration against the record. Discrepancies trigger corrective sprints until consensus is reached; versions and citations are logged.
When the original is lost, all that remains is to recreate it. 3D reconstruction is the revival of form, meaning, and history. We work at the intersection of art, technology, and research to bring lost objects back into presence — in the digital realm.
Digital reconstruction of cultural artefacts involves the full digitization of heritage and the creation of collections based on archival sources and professional art historical research. We restore what has been lost by returning to the craftsmanship of past masters — examining their techniques, aesthetic choices, and materials, while carefully studying the technological context and style of the era. Our goal is to ensure the most accurate and respectful revival of cultural heritage in digital form.
NEW INVESTMENT MODEL
We are implementing an institutional framework for cultural investment. Each museum-grade digital reconstruction is issued as a limited series of ownership shares, registered on the blockchain to ensure immutable provenance, transparent supply, and secure, audit-ready transfer. Holders may keep their share as a long-term cultural asset, transfer or gift it, include it in estate planning, or sell it on a curated secondary market.
By combining heritage preservation with blockchain-backed ownership, we transform absence into presence — and open a refined, transparent way to participate in the value of culture.
In the 21st century, full ownership of digital assets has become possible. Heredis Atelier introduces a new opportunity for investing in digital artefacts.
We create museum-grade digital reconstructions of historically significant artefacts and place them with collectors who value provenance, scholarship, and restraint.
Custody, not consumption.
EXPLORE MORE
F
EATURED projects
Fifty-two Imperial Fabergé eggs were created for the Russian court — unparalleled masterpieces gifted to Empress Maria Feodorovna and Empress Alexandra Feodorovna.
After the revolution of 1917, many of these treasures were sold abroad, stolen, or melted down by the Bolsheviks.
Six Imperial eggs remain lost to this day. Which means the world may never behold them again.
Our work is dedicated to detailed, museum-grade reconstruction — crafted to preserve and resurrect what history erased. By combining archival research, art historical expertise, and state-of-the-art digital technologies, we bring these vanished masterpieces back to life with precision and respect for their original context.
Through this process, silence becomes form — and absence becomes presence.
in progress
in progress
fABERGE'S IMPERIAL COLLECTION
Across Europe, masterpieces have been scattered by revolutions, sales, and time. European Heritage is our forthcoming series devoted to the museum-grade digital resurrection of court jewels and objets d’art — from the French court to Habsburg ateliers and beyond.
Taking Marie Antoinette’s sapphire as an emblem of provenance and survival, we combine archival records, workshop drawings, and period techniques to reconstruct these works with precision and respect for their original context. Each piece is presented as a singular digital artefact with full documentation and verified registry, aligning scholarship with assured provenance.
At Heredis Atelier, each reconstructed artwork is a one-of-a-kind digital masterpiece, created as a single, exclusive edition with no reproductions. By joining our waiting list, you secure privileged access to updates and the opportunity to attend the private unveiling of the next reconstructed object, before it enters the auction stage.
UID: CHE-256.568.791 HR01-1006431744 Use of this site and its content is subject to these Terms. All digital reconstructions, texts, and media are protected works. No reproduction, distribution, or derivative use without written consent.